"An Uncrowned King" – The Irish Times
"So Be It, Unto Us all," and "A Libretto in the First and Last Frost" – Both published in the Milk House
"A Tweed Spinner Watches the Water Churn," and "The Bothy Crop of Arranmore" – Both published in the "An Áitiúil" Anthology
"Sleuth Wood" – Ogham Stone
"Hungry Grass," and "Tinbergen" – A New Ulster
"The Lapwing," "Cold Stone Does Not Carry Meaning," "A House of Fattened Duck," "The City," "The Priest," "How the Messianic Hear," and "Songlines at the Centre of the Sun" – All published in The Belfast Review
"Peigín de Dan," and "'Bang, Bang!'" – Both published in The Candyman’s Trumpet Ireland Edition
"A Mason Dixon Line by Lamplight" – The Martello
"For Each of Us it Differs" – The Madrigal
"The End Anew to End," and "Caesura" – Both published in Crow of Minerva
"Young Boy" – Drawn to the Light Press
"Ash on the Annalee" – The Riverbed Review
"Recording & Extract" – Books Ireland
"Extracts" – The Blue Nib
"Watching those who Dig for the Dead" – Acumen
"Blunted Torsion" – Agenda
"The Hills of Saratov" – The Erbacce Journal
"A Chiaroscuro of Hunger" – MIROnline
“It is Inconsolably Bright,” “the Souq of Aleppo,” “The Peace Wall,” and “The Lapwing” – All published in Northern Gravy
"Thirst," "Vigil," and "How We Remember the Dead" – All published in La Piccioletta Barca
“Falling Leaves,” “Transitions in Frost,” and “Pattern Randomness” – All published in New Critique
"A High Cabriole of Fire" – Crowstep
"Desire" – Fahmidan
"Lust with your Elbows Propped on Wet Wood," and "Unity" – Both published in Kamena
“Warriston Graveyard," and "The Spanish Arch" – Both published in Stepaway
“Memories of Souq al Hamidiyah," and "What Remains is Never Quite Real" – Both published in The Oxford Middle East Review
"John Salom" – Fire & Dust - "An Anthology"
“Bitter Eggs,” “The Yellow Book of Lecan,” and “The Stones of Damascus” – All published in Poetica
“An Auguring of Winter to Come,” “Cold Stone Does not Carry Meaning,” “The Lapwing,” and “October” – All published in "Penned Poetry for Parkinson's Research" - an Anthology
“Driftwood,” and “The Binary Heretic” – Both published in The Stratford Quarterly
"The Disconnect" – Permeable Barrier
“Touch,” “Muted Sound,” “Resonance,” and “Stars in the Desert” – All published in Sybil
"On Property"– Mono
"What the Fire Talks" – Punt Volat
“Cold Stone Does Not Carry Meaning,” and “An Eiderwork of Shadow Spun” – Both published in Visual Verse
“Lockpicking,” “By White Horse Bridge,” and “The Monk” – All published in Die Leere Mitte
"At Swim, Two Pair" – Lucent Dreaming
"Even Small Birds Can Render Planets Unto Ash" – Poetry Wales
“Yellow Yellow Springs,” “The Committal,” “Breath,” and “Semantic Hunger” – All published in Seventh Quarry
"Boot" and "The High Grass of Innisdubh" – Quadrant
"An Instrument of Lilies" – Meniscus
"The John Muir Way" – The Saltbush Review
"Separation" – Decomp
"The Parish Bacchai" – NōD
"Tender Ministry" – The White Wall Review
“To Fear the Multitude,” and “My Desire, the Gauge" – Both published in The Wise Owl
“Waiting for the Minute Hand to Stop,” and “Poor Alice” – Both published in ShabdAaweg
"Cerise of Pressed Lips" – Wingless Dreamer
"The Origin of Laughter" – Fresh Words
“The Melody of Order,” and “4² by 5” – Both published in Active Muse
“Portrait of a Goddess,” “Now is too Strange a God,” and “The Anaesthesis of Sangfroid” – All Published in Nether Quarterly
“The Mulch,” “Ludus,” “Psyche,” “Epiphany,” “Origin Myths,” “A Crucible of Honey,” “Reeds,” and “Eternity” – All Published in Modern Literature
"There is no Poverty in Touch" – Amphibian
"Here We Rest," and "It is only in Memory" – Both Published in Expanded Field
“Time Moves Swiftly Through the Leaves of Trees,” “The Anaesthesis of Sangfroid,” and “The Path to Wonder Ever Moves Through Traces of Oblivion” – All published in Sunday Mornings at the River
"Lessons from the Past" – The Mantelpiece
"Forty Three Years" – Griffel
The Station in the Summer" – Postscript
"Age" – Universe
"A Rhapsody for the Minute Hand in Autumn," and "The Shearing of the Stag" – Both published in Abstract
“The Path to Wonder Ever Carries Traces of Oblivion,” “Proof of Loss,” and “These Fitful Hours” – All published in The Bosphorus Review
"We Are All Complicit" – North Dakota Quarterly
"In a World Untouched by Sin" – The Tahoma Literary Review
"Pretty Polly" – Door is a Jar
"A Hospice Bed at Sea" – Reservoir Road
"The Isle of May" – Free State Review
"Memories of a Morning Wake" – Soundings East
"A Palace of the Mind Made from Tin," and "Kin" – Both published in About Place
"The Kingfisher" – Pangyrus
"The Ear - a Short Story" – Revolute
"Journey on a Sligo Bus," "Memories of the Grass and Clouds," "The Ritual," "The Quickening of the Black Gall," "The Afterlife," "Company of Remnants," "Youth," "Don't Waste the Sun," "December Rain," and "Semantic Hunger" All published in The Exacting Clam
"Identity" – Drunk Monkeys
"Time Moves Swiftly Through the Leaves of Trees," "The Woodlands Speak in Silicon," "Fogarty," "Night Shift," "Apotheosis of the Bones," and "October" All published in the Seattle Star
"O'Connell Street," and "The Hallux" – Both published in AvantAppalachia
"Movements in Denim and Cord" – Pinhole Poetry
"Fatherhood," "Sunday Afternoon," "Epiphany," and "The Call" – All published in In Parenthesis.
"Ismail" – Inklette
"Volitions," "Mourning," "The Veil," and "The Borderland Furies" – All published in the Metaworker
"Tenderness" – Kairos
"Spring Blooms as I Lay in the Grass," and "The Rafferty" – Both Published in The Loch Raven Review
"An Tromdámh Guaire – a (re)telling" – Carmina Magazine
"Before the Clock Stops," and "The Wardens of the Dead" – Both published in The Banyan Review
"Porcelain Trees" – Euphony
"In Lieu of Love" – Mortal Magazine
“Plumes of Thirst,” and “A Bed of Soft Flowers” – Coalition for Digital Narratives
"Of Tomorrow" – Genuine Gold (The Indiana Pizza Club)
"Endurance" – The Blue Lake Review
“The Hills of Saratov,” and “The Seeds of Fortingall” – Both Published in the Flooded Pine Anthology, "Apothecary for the Future"
"The Tender Ministry of Time" – Interim
"Memories from the Sickbed of my Father" – Grub Street
“Breathlessness in the Anthropocene,” “Here at the End of All Things,” “Birds,” “Doubt,” and “At the End of Time” – All published in Gaia Literary Magazine
"As Stones Fall," and "The Crossing" – Both published in The Gyroscope Review
"Memories of the Hawthorn Tree" – Heartwood
“In Shared Movement, the Clocks Stop,” “The Navigator,” “Restoration,” “The Knowledge of Loss,” and “Woman, Outside Damascus Café” – All published in Roi Fainéant
"A Chiaroscuro of Haunting" – New Plains Review
"The Stayed Hand in Prayer" – Amphora
"The Melody of Making" – Spectra
"A Father's Lullaby" – New Feathers Anthology
"Autumn Heat" – "Autumn Noir: an Anthology"
"The Disconnect of Truth," "Thirst," and "Obsession" – All published in Book of Matches
"A Song for Owls" – Roadrunner Review
"Dust in the Wind," and "The Wheels of Hama" – Both published in The Literary Hatchet
"The Last Nights of Ailill" – Big Windows Review
"The Heart's Arrow" – Delta Poetry Review
"A Wish," "A House of Fattened Duck," and "Namelessness" – All published in Across the Margins
"Uncertainty," "The Geometry of Flesh," "Hunger in the Yarrow Stalk," "The Fuchsia Tree," and "Ag Teitheadh ón Uafás" – All Published in Twenty-Two-Twenty-Eight
"The Mulch" – The Ocotillo Review
"The Feast of the Trevally," and "Silence, where Once, there was None" – Both Published in October Hill
"Lust with Your Elbows Propped on Wet Wood," and "Waiting" – Camas
"They Taught Her Not to Speak" – Coffin Bell
"A Tenuous Threnody" – The Elevation Review
"Lust with Your Elbows Propped on Wet Wood," and "Spent Air Spooled Through the Loom" – Both published in WRFL (RiFlE)
"The City Sung," and "Days of Yearning" – Both published in The Unbound Brooklyn Journal
"To Linger Here in the Incomplete" – Thimble
"Lullaby City," and "Abnegation" – Both published in Cathexis Northwest
"Untitled old Juvenilia" – Zygote in My Coffee
"Etchings in Nitrogen, with Swivel Knife," and "A Pinprick Chance" – Both published in Aji
"Andromeda" – Ground Up
"The Keening Air" – Inverted Syntax
"Spring Shift," and "A Rubric of Shared Love" – Both published in Discretionary Love
"The Parish of Mary del Dam" – Aphor
"One Day when my Eyes are the Heavens and my Body has Turned to the Wind" – Nevermore
"Bitter Winds" – Black Poppy
"Winter," "An Auguring of Winter to Come," "The Ruins Near Tongue," "The Penury of Thirst," "Ant," "Dusk," and "Cathecism" – All published in the New English Review
"Fresh Flowers," "Already Dead," and "Morning Mist" – All published in The Thieving Magpie
"Chrysalides," and "I have Begun to Listen and now I can not stop" – Both Published in Rock & Sling
"Edifices" – New Note
“An Artistry of Footsteps,” and “An Awakening of Stained Lips” – Crest
"Sweet Rosemary" – Phantom Kangaroo
"The Cartographer," and "The Warder" – Both published in The Red Ogre
"My Time Has Passed" – The Black Earth Institute
"A Moorland Rendered through Silicon" – The Kleksograph
“Hibiscus,” “From the Rocks of the Sea,” and “On the Beachhead” – Both published in The Fiery Scribe
“Batrachomyomachian,” and “Diffusion” – Both published in The Lotus Eater
“Observing Firelight,” “Clay Feet,” "Neon," “This is Merely the Beginning,” “The River and its Reeds,” and “The Ferryman” – All published in Zvona I Nari (ZiN Daily)
"Meetings at Lightspeed" – Consilience
"Tender|Gelt," and "To Relent and to Know" – Both published in The Candyman's Trumpet
“The Holy Broth of Truth’s Bones,” and “We Begin Again” – Both published in Crowvus
"Formicidae," "An Act of Love," "The Man Between," "Desire," "All Things Must Come to a Stop," "Cappadocia," "Kindling/Iolanthe," "Rocking Horse," "Touch," "Union," "Honey & Wine," "The Steady Passing of Time," "Writing at Night," "At Red House," and "Apostasy" – All published in Dreich
"Flowers" – Yellerzine